Connections: Sabbatical 1998

Table of Contents

Sabbatical Home

Foreword

Introduction

Purpose

Objectives

Justification

Description:

1. Professional and Cultural

2. Sculpture Education and Facilities

3. Public and Private Sculpture Exhibited outdoors

4. Time and Directional Sequence of my travels

5. Epilogue


All photos in this online sabbatical presentation © 2001 by Tony Paterson, unless otherwise identified.

Tapes and slides can be supplied upon request. Please contact Tony Paterson directly.

Objectives

My main purpose was to study, while recording by photos and tapes, the Olmec, Mayan, Aztec, and Native American Art, architecture, and particularly its sculpture at archaeological sites running from Copan in Honduras through and including Vancouver and local Northwest Native American sites. A second objective was to make contacts with curators, galleries, and sculptors for possible exhibitions or exposure of my sculpture.

Two other objectives were to visit and record as many universities and colleges with sculpture programs as was practical and to visit as many sculpture parks as timer permitted, both at museums and higher institutions of learning. I wanted to make a detailed study of foundries and sculpture facilities at other institutions.

I also wanted to observe and document, (by the photos and tapes enclosed), how visitors and students interacted to the sculpture displayed at other locations. The SUNY AB campus has much potential for permanent installation that could become an investment and the pride of the University. The mechanism for bringing this proposal to fruition is through the Casting/Welding Institute, University Art Gallery, other interested parties on campus, and in the, community.



Tioga pass to Yosemite
Photo. T. Paterson